“Chitthi, you should read this book for sure. I am sure you will like it.”, said the niece, holding up some teen fiction. She has been reading what she calls Dystopian Fiction and some of her stories tend to mistake my blood for milk set out to curdle. I looked skeptical.
The daughter joined in the conversation with another book suggestion. “Adults won’t enjoy it, but I am sure you will Amma.” she said.
I donned an amused expression. That I should be pegged for having a child’s capacity made me feel truly honored.
Like Ursula K Le Guin, the famous fantasy author said, ‘The creative adult is the child who survived.’
“I mean of course you are an adult and stuff, but … well you know what we mean.” The girls rushed on almost immediately, “This is the good stuff – you will love it.”
The book recommendations discussion was happening before our trip to Mt Shasta, and I was deciding what should be taken along for reading.
After a little deliberation, I picked out Tales from Earthsea by Ursula K Le Guin. A better book for the wilderness could not have been chosen if I had researched the thing for weeks. Earthsea is a mythical archipelago where wizardry is not uncommon. This book contained tales from Earthsea set in various points in time. The stories are set in beautiful islands amidst forests and meadows and was the perfect read at Shasta.
One fine early morning, on a hike in the forests of Shasta, I chose a spot in which to slowdown and take in the surroundings just like the characters do in the Grove. I sat myself on a rock, and looked out upon miles of trees and forest cover. Sitting there, I noticed how the leaves were shaped against the blue skies, the clear, sharp shapes rising up against the sky, looking majestic and beautiful. Why is it, that nothing man made can even hope to compete with the magnificence of a leaf, tree, forest or mountain? It was a biomimicry moment.
With the forest around me and Mt Shasta in the background, Nature helped still and quiet my senses so much that I felt strange. The incessant chatter of inner turmoil quiet, the constant rippling of life’s waves smoothened, the distant and affectionate view of my own foibles on Earth. In only a few moments of this relative calming of the senses I could feel every observation keenly as though the distant telescopes were adjusted better to give a clairvoyant view into life.
To hear, one must be silent.
Ursula K. Le Guin
I resolved to take the children on a hike that very evening. The evening hike was just as splendid. It hugged a coastline on a lake, and the evening sun transformed a normal forest setting into a magical one. We trudged up the mountain path chattering happily and gaining altitude. A number of meandering trails and paths criss-crossed the ones we were taking as we hiked on.
As we were hiking, I told my daughter about the moment of Zen that I felt during the morning hike, and she said she would try it too. I looked up surprised, but noticed that a while later, she sought out a rock and sat there just drinking in the scenery. I hope she felt the same sense of quiet.
As we made our way back, the sun had started to set and colored the sky with patches of radiant pink, purple and orange. It was then that we realized that we may have lost our way. I remember going left from this mountain peak, but that trail up there also goes there, how about this one? Every one was sure we had come up by a completely different path. The daughter was unusually quiet and then she exclaimed thoroughly proud of herself, “This is it! I know now. This is it. This is the way to go!” and she was perfectly right.
Days later, when we were discussing the concept of magic, I went all Ursula Le Guin on her and said, “You know? That day, on the hike, you were so much in tune with nature that you were the one who found the way back. You know how appalling you are usually when it comes to directions, but that day because you loved the hike so much, the forest revealed its magic to you.” She rolled her eyes, but the joy in her eyes was unmistakable.
Le Guin writes of magic in a way that is manifest in our daily lives without us ever stopping thinking of them as magic. It is neither wand waving nor dramatic, but it is spectacular. It is in the unique talents we each have, and just like any other talent needs nurturing and nourishing to develop to its full potential.
The Author’s work has the influence of Tao-ist philosophies, that help us tap into the ageless wisdom of generations. The books talk of listening to the Earth as a means to understanding the greater forces at play, the ability to gauge what is to happen, but have the sagacity to neither judge nor criticize its actors unduly. In short, it is life cloaked in the glamorous garbs of magic.