For the Love of Libraries

“We are going to give you something special!” coo-ed the nieces as soon as I landed in India.
“What is it? I don’t really want anything, just time to spend with you lovely girls.” said I, ever the Aunt imparting Valuable Life Lessons.
They smiled it away without batting an eyelid. Life Lessons – pish tosh bigosh! If, as a child, you don’t know how to ignore that stuff, you’ve learnt nothing in life was the philosophical angle the children seemed to take and I appreciated them for it.
“Yes, yes we know. But you will really like what we have planned for you!” they said in unison. “It is an Experience!”

The children obviously knew where to get me, loop me with my own tune – Experiences are worth more than Possessions.

I grinned expecting a trip to the ice-cream store across the street. That was an experience for sure. There were flavors there that made me swoon. Could I have the coconut -lemon and the orange-watermelon and mango and jackfruit flavored ones?

Come evening, we all headed out. The nieces ,with touching sincerity, told me that they would forfeit their quota in my honor, given how much I would like where we are going. All highly puzzling so far.

When we finally made our way through the Gulmohar lined streets, the skies looking beautiful and benign over the towering apartment buildings, I stopped and watched the excitement build in their faces, as we turned the corner. Beaming at me in a small two-roomed store front tucked away near eateries and grocery stores, was a tiny library. I gave them a slow, wide smile. This was amazing. Off we went inside. I was grateful that the children had access to this small lending library.  (Yes – we stopped for ice-cream afterwards.)

bookworm_readingcorner.png

The lack of easy access to public libraries in India has always been a sore point with me. As long as we are in school and college, we have access to libraries in some form or another – the institutions themselves have them. Even if the Engineering college library lacked sorely in the Literature section, one could read IEEE journals to pass the time. I am immensely grateful to the librarians in my schooldays. During our school holidays, the librarian in my mother’s school, Mr Gandhi, would happily supply me with books enough to whet my appetite (Life’s blessings come in many forms – my mother’s school vacations did not coincide with ours, so their library was still open). Years later, when I came home with a broken leg to recuperate, Mr Gandhi, sent books that he thought I would like. That kind of care from anybody is touching. It is no wonder that one of my earliest career aspirations was to be a teacher and a librarian.

When first I moved to the big city, I felt unmoored without a library to frequent. I dedicated a Saturday morning every month for the trip across the city to the used books market, and pile up on books to read, making my way back with a teetering pile of books (I had no idea about the concept of copyright, how payments were made to authors etc). Most were in bad condition, not great authors or titles, but I took what I could. It was my only indulgence.

I read somewhere that people don’t really feel the need for Art if it was never a part of their life. But once exposed to the beauty and depth of any Art, if taken away, the void is there. An emptiness that you didn’t know existed. That resonated with me, for I feel the same way about libraries and access to good books.

I mourned the day the physical books stores went out of business in the United States. In every mall, every shopping street, I kept my eyes open for a place to dip into. There were none.

We bought clothing and fabrics simply because we were there and the clothes lured me through the shop windows.
We drank coffee because the coffee store was there.
We ate ice-cream b – well you get the gist.
But we didn’t read books with differing viewpoints and thoughts that could rejuvenate the brain because they weren’t there.

I chatted with the nieces once we were back here, and I asked them what they had checked out that week from their little sweet library. “Oh…they closed it now in the afternoons because they are using the space for English and Math tuitions.” they said, and I couldn’t help whimpering.

When we place so much importance on clothing that we change out everyday, shouldn’t we place more on thoughts that flit in and out even more constantly?

A quote from one of my favorite books, Fahrenheit 451, By Ray Bradbury:
There are worse crimes than burning books. One of them is not reading them.

I wish we all get to the chance to experience Ray’s Bradbury’s nugget of wisdom:

“You must write every single day of your life… You must lurk in libraries and climb the stacks like ladders to sniff books like perfumes and wear books like hats upon your crazy heads… may you be in love every day for the next 20,000 days. And out of that love, remake a world.”
Ray Bradbury

Also read :

Brain Pickings: Oliver Sacks on Libraries
Brain Pickings: How Libraries Save Lives

Duck, Duckling, Dolphin

I recently read a book titled Dolphin Parenting by Dr Kimi Shang. It was an antidote to the Tiger Parenting by Amy Chua book. Dolphins are intelligent, social and playful creatures, and therefore, we must model our behaviors after them is the gist of the book.

Keena_drawing
Art work by Daughter

Nature provides us with amazing parenting models every now and then.  Spring time is especially wonderful as this is the time for new life, a transformation of sorts. The butterflies are out and about, snail-lings venture forth, squirrels come out of their hibernation, eggs hatch and, in general all of life is abuzz with beauty and purpose. One day on a walk near our local lake park, I noticed Mrs Duck go to her nest, and Mr Duck gave her a nod as if to say, “Go on dear, I’ll ensure no one disturbs you.” Mr Duck then went on to aggressively protective their little nesting area by quacking loudly and doing sentry duty.

img_2341

Just in time for Earth Day, the ducklings have hatched, and they look beautiful. There is something in the innocent, puzzled looks on their little fuzzy bodies that tugs your heart. Of course, it is amazing to see Mr & Mrs Duck take care of them. I can watch them for hours. How they slowly introduce their young to the big, bad world; how they watch their little ones play for hours; and how they only intervene when important,  is a lesson in parenting for us.

They take them gingerly out into the shallow waters first, then as their little bodies grow stronger, take them for longer fishing trips. They teach them how to cross the road – the ducklings are protectively looked after by Papa & Mama Ducks. The parents in front and the rear, the line is a marvel. The noisy bunch then head on towards wherever they are going. I don’t know how disciplined the ducklings are when they grow up, but when babies, it is an adorable sight to see them toeing the line obediently and happily. 

It is that time of year to read Robert McCloskey’s adorable book, Make Way For Ducklings.

make_way_ducklings

The books starts off with Mr & Mrs Duck looking for a place to live and raise their babies. They fly great distances before they arrive at a little island that looks just right.

There, the ducklings hatch and the conscientious parents are busy in providing for the young, teaching them to survive in a tough world, and learn to be independent. 

ducklings_3

Once they are strong enough to swim longer distances, it is time to move to a bigger island, that involves a few perilous road crossings. Who should come to their rescue but the local policemen?

ducklings_4

A heart-warming tale that I can read any time for a quick dose of sunshine. Illustrated in a simple brown ink, it is a wonderful book for Parent Ducks and Ducklings alike.

I remember being amused and amazed when I first came to the United States on seeing Duck-Xing signs. Coming from India, where traffic flows on, and people cross on and share the road with dogs, cows and goats (nobody particularly stopping or giving precedence to another); it was wonderful to see that the traffic did not only stop for pedestrians crossings, but for ducks as well.

What is your Friend?

The din from the kitchen area was appalling. One of our favorite aunts was a-visiting and the nieces had gathered around for a day of fun, and laughter which she invariably ensured was there around her. 

“What is your day like Athai (Aunt) ? How do you pass time?” we asked.

This is one of the questions that I pose to those of the older generation often. I know boredom and loneliness can be a big problem for some people. However, there are a few in the older generation who somehow manage to retain their vibrant joie-de-vivre as they age, so that they are not just occupied but keep themselves happily occupied and stimulated. 

“I am occupied enough, “ she began. After she told us in loving detail of time spent with her family, particularly grandsons, she said with a smile. “I practice what I want to teach later in the day to my students, and I find the time flies past. Music is really a friend.“

It was true. I remember visiting this Aunt a few months ago, and heard her humming and practicing a particularly tricky song that she wanted to teach her student later that day. She was trying it as she cooked & cleaned and it made for a comforting background while we went about our day. 

Many I know find it heavy-going after retiring from their busy lives. Some find solace in the demands of religion, others find themselves watching a lot of television. A few, though, find ways in which to keep themselves intellectually stimulated and happy.  These people seem to me the kind of people who are not only in touch with their Eternal Selves, but also nourished and sustained it. They are the ones who quite unwittingly spread joy and happiness around them by virtue of being happy with their own state of being.

Mary Oliver’s, Upstream, is a book of many marvelous essays.  The essay, Of Power and Time, talks about the three selves in many of us:

  • The Child Self
  • The Social Self &
  • The Eternal Self.

Though in the essay, Mary Oliver, refers to the Eternal Self as the artistic self, I like to interpret it as the Creative self. 

  • The Child Self is in us always, it never really leaves us. 
  • The second self is the social self. This is the do-er, the list maker, the planner, the executer. 
  • Then, there is the third self: the creative self, the dreamer, the wanderer. 

upstream

Talking to people around me, I hear many who say that they would do this or that after retirement: I would take up gardening after retiring, I will take up reading after retiring. I am guilty of postponing  some of my desires to a golden time in my mind that is post-retirement ( I will learn to play an instrument after I retire).

But how would you know whether you like one activity over the other? The problem is finding that ‘something’ becomes more elusive the longer you deny it. 

Finding something that makes us want to do something without rewards is at once the least monetarily tangible and the most gratifying thing in the world. Not all of us can lead the life of an artist, but we each can devote small amounts of time consistently to find an artistic pursuit that sustains us. It may be in the creative process in things as varied as tinkering with wood, or analyzing the ebb and flow of economic market conditions. 

The essay ended on this note:

“The most regretful people on Earth are those who felt their own creative power restive and uprising, and gave to it neither time nor power.” – Mary Oliver

The Aunt who said “Music is a friend!” gave to her creative spirit time and power.

What is your friend?

Note: A version of the essay by Mary Oliver is found here: 

Mary Oliver: The Artist’s Task 

Brain Pickings – The Third Self

An Extraordinarily Ordinary Life

I read and re-read and read out this paragraph in the book, Brief Answers to the Big Questions by Stephen Hawking.

“I have led an extraordinary life on this life on this planet, while at the same time traveling across the universe by using my mind and the laws of physics. I have been to the furthest reaches of our galaxy, travelled back into a black hole and gone back to the beginning of time. On Earth, I have experienced highs and lows, turbulence and peace, success and suffering. I have been rich and poor, I have been able-bodied and disabled. I have been praised and criticized, but never ignored. I have been enormously privileged, through my work, in being able to contribute to our understanding of the universe. But it would be an empty universe indeed if it were not one the people I love, and who love me. Without them, the wonder of it all would be lost on me.”

This is one of the passages in the book by Stephen Hawking, Brief Answers to the Big Questions. The title is no empty boast, he really does take a stab at the big questions with the simplest language. The book’s forewords, and epilogue themselves make fascinating reading: A foreword by Eddie Redmayne who played Stephen Hawking in the movie based on his life, and Kip Thorne who worked with him at Caltech and one of the foremost players in the detection of gravitational waves (LIGO)

Related: Philosophers & Tinkerers

brief_answers

Some questions:

  • Is there a God?
  • Is there other intelligent life in the Universe?
  • Will we survive on Earth?

He touches upon climate change (Related: A Planet of Wizards & Prophets), and whether we have any option but to colonize space. It is written in layman’s terms, which suited me quite well.

Regular readers know how much I enjoy looking up at the night skies. It is the time I come closest to stoicism. I shiver and wonder what is out there among the great distances. I happily contemplate on the vast empty distances between the stars. I ponder on time and how we are seeing things that are no longer exactly like that. How a serendipitous sequence of events enabled us to be there to contemplate this beautiful universe.

milky_way_shree
Picture taken by a Friend – an amazing photographer

I marvel at our insignificance, I genuinely enjoy riding the thought sails through the night skies, and I look out the magic of it every chance I get. It is one of those times when I am in love with Being.

star_trails
Star Trails of the Milky Way Galaxy – Pic taken by my friend who is an amazing photographer among other things.

One of my friends on a nightly stroll with me once teased me that I will become a star when I pass on, and I laughed heartily. Her tone reminded me of how spoiled I am by my friends who indulgently put up with me as I moon about flowers, hills and stars.

It is extraordinary indeed that I should have read Brief Answers to the Big Questions so closely after I read this particularly fetching poem by Walt Whitman.

When I Heard the Learn’d Astronomer – By Walt Whitman
When I heard the learn’d astronomer,
When the proofs, the figures, were ranged in columns before me,
When I was shown the charts and diagrams, to add, divide, and measure them,
When I sitting heard the astronomer where he lectured with much applause in the lecture-room,
How soon unaccountable I became tired and sick,
Till rising and gliding out I wander’d off by myself,
In the mystical moist night-air, and from time to time,
Look’d up in perfect silence at the stars.

It is even rarer that I find the perfect illustration to go along with it. But Rob Gonsalves in the book, Imagine A World is the perfect one (Related: A Touch of the Eternal):

journey_to_stars

To me, the ability to enjoy these simple pleasures in an ordinary life constitutes an extraordinary one.

The Three Selves

Mary Oliver’s, Upstream, is a book of many marvelous essays. One in particular stood out: Of Power and Time. This one is about the three selves in many of us:

  • The Child Self
  • The Social Self &
  • The Eternal Self.

upstream

Reflecting upon the piece, I realized we should know this by now, and we probably do at some level, but it takes a clairvoyant writer to set it out so neatly.

The Child Self is in us always, it never really leaves us. I completely identify with that. I am decades away from my childhood, but I can dip into it like I only just grew up.  Everything felt keener and sharper as children, and that is part of the reason why The Child Self never really leaves us, I suppose. (Probably the reason why I forget the name of the person I met yesterday, but remember the names of my friends from when I was 5 years old : What is Time?)

While young, I yearned to grow up, and in the words of L M Montgomery realize that growing up is not half as fun as it is purported to be.

“That’s the worst of growing up, and I’m beginning to realize it. The things you wanted so much when you were a child don’t seem half so wonderful to you when you get them.”
― L.M. Montgomery, Anne of Green Gables

The second self is the Social Self. This is the do-er, the list maker, the planner, the executer. The one, in short, that most of us find ourselves trapped in for the most part of our lives. This is “the smiler and the doorkeeper” as Mary Oliver so elegantly puts it. This self I am familiar with: metaphorically the whirlpool, the swift horses of time, the minute  keeper.

“This is the portion that winds the clock, that steers through the dailiness of life, that keeps in mind appointments that must be made. Whether it gathers as it goes some branch of wisdom or delight, or nothing at all, is a matter with which it is hardly concerned. What this self hears night and day, what it loves beyond all other songs, is the endless springing forward of the clock, those measures strict and vivacious, and full of certainty.”

The social, attentive self’s surety is what makes the world go around as she says.

Then, there is the third self: The Creative Self, the dreamer, the wanderer.
“Certainly there is within each of us a self that is neither a child, nor a servant of the hours. It is a third self, occasional in some of us, tyrant in others. This self is out of love with the ordinary, it is out of love with time. It has a hunger for eternity.”

The essay goes on explain the regular, ordinary self in contrast to the creative self. The Creative Self – the one that is out of love with the ordinary, out of love with the demands of time or the regular routines of life, is concerned with something else, the extraordinary. This is the self, she says, that makes the world move forward.

“The extraordinary is what Art is about. No one yet has made a list of places where the extraordinary may happen and where it may not. Among crowds, in drawing rooms, among easements and comforts and pleasures it is seldom seen, It likes the out-of-doors. It likes the concentrating mind. It likes its solitude.”

img_1781-effects

The essay was eye-opening in many ways. For I know many, including myself, have to fill our days with the demands of the clock. It is also easier to be the do-er, so that we may not have to enter that difficult place of teasing, figuring and wrestling the extraordinary out; to give shape to the nebulous clouds skirting in the recesses of the brain.

There is nothing wrong with succumbing to the demands of the clock, but it is a valuable lesson to teach ourselves to take our brains for a tease and see what results, isn’t it? We may land up surprising ourselves if only we give it the chance.

The essay ended on this note:

“The most regretful people on Earth are those who felt their own creative power restive and uprising, and gave to it neither time nor power.”

What do we do to ensure that there is enough time in our lives to ensure the nurturing of the Eternal Self? (Read: The Art & Charm of Shoshin) I don’t know the answer yet, but when I do, I shall hop on social media and share it right away.

Note:

A version of the essay is found here: 

Mary Oliver: The Artist’s Task 

Brain Pickings – The Third Self

The Touch of the Eternal

The daughter came hurtling into the room bursting with something to share, her brother in quick pursuit. I was sprawled on my stomach across the bed surrounded by a bunch of books.  She looked surprised at finding me indoors instead of hustling people to come and enjoy the outdoors, and said “How come you aren’t flitting with the butterflies?” 

The skies were blue, the air pure, the trees outside looked splendid and inviting, the first shy cherry blossoms were peeping out, the first of my tulip shoots were making their way out of the ground much to my delight.

I snorted and said, that just because the day looks awesome outside does not mean that I have to ‘flit like a butterfly’. Besides, it was perfect Gluggavedur weather. (Gluggavedur is a delightful Icelandic word that signifies, ‘Window weather’ – beautiful from the inside, but too cold to go outside.)

I know I have yearned for the right word many times. (A word for the cool breeze that hits your face when you run down a mountain for instance: Zephyr Tales) This book, What a Wonderful Word, taps into that feeling with words from many cultures across the world.

Book: What a Wonderful Word – By Nicola Edwards & Luisa Uribe

Anyway, where was I? Oh yes: I looked dignified and mature. It is done by setting the chin at an awkward angle, and giving the impression of one finding a skunk when one lifted the bushes to find a squirrel.

“A mature adult can do many things!” I said.

“Like reading children’s books?” said she.

I laughed hard and she joined in. Mature indeed! 

One time she found me doing Yoga with a beautiful Children’s book open, and checking out the illustrations from various angles. This act of whimsy earned me the loving and coveted label that teenagers award rarely, “You are SO weird! That is such a you-thing, why am I not even surprised?”

Much later when I read Upstream by Mary Oliver, I was glad to see that I was doing something right – the whimsical part at least.

“You must not ever stop being whimsical. And you must not, ever, give anyone else the responsibility for your life.” 

― Mary Oliver, Wild Geese

Some of my favorite things to do is flip through children’s books. The illustrations on some of them made me admire the books on wholly different levels.

How an artist comes up with conceptualization, the drawings themselves, and the whole process that goes into making children’s books is amazing. Every book is a testament to creativity, teamwork, solidarity, the calling of the eternal, and so much more. When asked to critique a piece of Art, I would trip up on a few things like techniques, styles, brush strokes, paint colors, paint directions, canvas quality etc. But I can appreciate good Art when I see it, and describe it with the word, Beautiful.

I was book-flitting like butterflies, very happy with the set of books I was flitting through.

“See! See this book – how can people even conceptualize a piece like this? Hmm…what would we do without Children’s books?”

I was surprised she had no snarky comeback – it is seldom so. Blessed as she is with sharp wit, it is usually me that has Espirit D’Escalier episodes. I looked up, and saw her immersed in the beautiful drawing in the children’s book I showed her. She spends a good amount of her time doodling and definitely with more success than Yours Truly. 

Rob Gonsalves book, Imagine A World, was definitely mesmerizing. The almost seamless transitions within the Art that hid multiple layers and concepts was work of genius. A sample piece shown below  – you can also head on over to his site that has more Art work. 

img_1863
Rob Gonsalves work Book: Imagine a World

The book reminded me of Mary Oliver’s Quote:

“Keep some room in your heart for the unimaginable.” 

― Mary Oliver

Magical Realism is Gonsalves’ speciality, and I am so glad to have picked up the book. It is easy to see the pictures over and over again – being immersed in them over again.

imagine_a_world

I am the first to admit that I am no Art Critic, just a child admiring the work of artists whose touch of the eternal we are blessed to see. 

Also read: Dr Seuss’s Art

Existential Angst or Gelato?

Every block of stone has a statue inside it and it is the task of the sculptor to discover it.
“Michelangelo Quotes on BrainyQuote”

As we walked past the thousands of statues displayed in the Roman corridors and roadsides, it is astounding and humbling to see the thousands of hours of creative labor that survives. The Vatican alone houses so many art forms and pieces of art, that we were quite naturally hurrying along if we did not wish to spend a good decade in there admiring every piece.

 

 

The Roman Empire is probably the most famously chronicled and studied empires in the world. The human condition across millennia has sought peace, temperance, a cultivation for the finer aesthetics even while battling the evils of war, famine and barbaric practices, and nowhere is that more apparent than in Ancient Rome.

Many portraits and statues were commissioned by the noble wanting to cast a sliver of their mortal presence into the immortal. The legacy of their lives as they might have seen it. But in works such as these, who endures? The person whose statue was carved, or the work of the sculptor whose ability enabled it? (See this picture drawn by my friend, of a statue)

Is it the Artist or the Object of the Art who endures?

head_bust_suresh
Image by Suresh (SureshSketches)

It isn’t hard to imagine the artist with a philosophical bent of mind when one sees the thousands of head busts carved out of stone. The busts themselves may be of emperors and powerful men, but they were carved by the skilled artisans who were not all famous. I’d like to imagine that the artisan who carved Caligula’s head had his laugh by secretly carving a statue of Caligula’s favorite horse, Incitatus. (Incitatus was made a senator, and was granted a place at the royal dinner table. ) Claudius, the one everyone assumed to be the local fool turned out to the successor to Caligula in the end. His head bust stands right next to Caligula’s in the hall of head busts in the Uffizi gallery.

claudius_bust

So, who endures and who doesn’t? It was Claudius’ writing that showed us all about the dangerous, mad tyranny of Caligula after all. ( The book, I, Claudius by Robert Graves is an excellent peek into Ancient Rome)

Walking past the arrays of the head statues, I could not help thinking of the Tamil poem by Bharathiyar that the husband quotes often:

Pirappal pala pizhaigal seidhu …
narai koodi kizhaparuvam eidhi …
Verum kootrukku eraiyagum pala vedikkai manidharai polae
Naanum vizhuvaen endru ninaithaayo?

“பிரப்பால் பல பிழைகல் செய்து
நரை கூடிக் கிழப்பருவ மெய்தி
கொடுங் கூற்றுக் கிரையெனப்பின் மாயும்
பல வேடிக்கை மனிதரைப் போலே
நானும் விழுவேன் என்று நினைதாயொ?”

Loosely translated it means:
Did you think I too would live the life that wracks ordinary human beings?
That I would sport grey hair, grow old, be small enough to talk pettily about people, and fall at the hands of fate?

The angst that has wracked mankind for centuries is apparent in the poem, and in the head busts and portraits by which I was surrounded. So, what is it we hope to leave as our legacy and for whom? We should aspire to be a thread holding the tapestry of life together while alive, but beyond it, what do we crave?

After the 160th picture of non-smiling faces, 100 head busts, and the n-th depiction of the crucifixion and the nativity scene, I knew what we craved for: Gelato.

“Before we go though, let’s go to the next floor. There is a gallery of musical instruments of the time.” said the husband. The children groaned, but I was intrigued. Music is a beautiful anthropological constant. We even sent a recording of whale song, Beethoven, Bulgarian folksongs and so much more on  the Golden Record  when we sent it out into space aboard the Voyager. NASA did not want to waste the space, but Carl Sagan, saw the poetic touch to it. The need for space exploration was to learn and connect, and what better mode to connect than through music?

cd

The image of a man playing the harp in a city square, as people walked by tingled in my brain, and I rose happily, urging the children on. “That man playing a harp could be from the 12th century or the 16th or the present. How beautiful is that?” I said to musical groans.

man_harp_today

After we climbed up the flight of steep stairs, however, we found ourselves peeking into another floor of more paintings. I looked around confused. The husband pointed to the sign there: Piano Secondo:

piano_level

‘Piano’ in Italian means ‘Floor’, and not a collection of pianos. He looked sheepish, but happy to be the person who relieved the tension, and off we went in an indecent hurry looking for gelato. Anthropological musings and existential angst can wait, Gelato cannot.

Una buona immagine

“Amma – you were sleep talking so much last night – it was hilarious!” said the daughter. The children and the husband giggled. In my defense, it had been a rather long few days. Roaming around in Rome had taken the wind out of my sails.

“I must have been tired!” I said. “ I had dreams of the weirdest nature. I dreamt the horses ran out of the picture, and out into the gardens that had the whomping willow type of tree.” (Pitti Palace & Boboli Gardens which are perfectly delightful to behold: A lovely spot of nature in Florence)

“Yes we know. And you sat up in bed sending Sabrina to get the horses back! Poor lady doesn’t have enough work in the reception, you have to send her galloping behind horses!”  I laughed with them. Sabrina had saved us considerable time by getting us a slot of time to visit the Uffizi Gallery.

I was trying to extricate the strands of weave from the coagulated mess in the brain. A number of galleries collapsed in the various chambers of the brain leaving the paintings smushed together. Waddling through the galleries with a coat hanging off one hand, a child off another and a bag on my shoulders, I wandered through the works of Leonardo Da Vinci, Michelangelo and Raphael – entire galleries devoted to Renaissance artists. I naturally gravitated towards pictures featuring the rich myths, with a whiff of the beautiful Italian countryside in the background. The Birth of Venus, Primavera et al were as beautiful as everybody said, and had I known the nuances of art could have enjoyed it more.

 

I felt like one of those canvases that inspired the starry night by Van Gogh. All the different colors flowing into each other, forming a confused mess of colors, but having a unique kind of beauty in itself.

Art can never exist without naked beauty displayed - William Blake.

The first time we spotted a picture featuring a nude, the son tugged at my hand, and giggled, “Why isn’t he wearing any clothes?”

I giggled with him. Do you think this is what William Blake had in mind? The renaissance era with its developments in the anatomy and study of the human figure really did go overboard on the whole human body thing. Considering that it was winter in Italy, there we were dressed in thermals, sweaters, jackets, caps, gloves and socks, looking upon the stone cold statues of apparently virile, strong men with muscles exploding out of their bodies, and not a thread of clothing on them. It was amusing, and the pair of us giggled like children in the pristine halls of the museums.

statues

Standing outside a fountain on the way from one gallery to another, I posed for a photograph. I smiled and asked if the picture was okay. Apparently, it wasn’t.

The teenaged daughter took a deep breath and with the air of explaining basics to an idiot child started instructing me on the best method to pose for a photograph. Apparently, smiling like I am happy to be in the photograph is out.
“Go for this look.” she said, and looked morose, angry, pensive all at once. “And those shots of you standing in front of a place is so third century! Look at this one, “ said she showing me a picture of a person with a sharp nose in a red coat overlooking a ruin.

If it weren’t for the fact that she was looking stylish in my coat, I could barely have recognized her, and that, she said, was the angle you have to go for.

I am not sure I will get it entirely. I come from a generation that saw as many people crowded together in one frame as possible, and all of us smiled at the the count of three – with at least one blinking at the opportune moment. From there to this sort of “Don’t even show your best face, and please don’t smile” slide is a bit quick.

But after looking at the numerous pictures in the galleries across Rome, Florence & Venice, I can see the impulse. I mean this trend probably came from too many pictures. It is probably why Madonna looks apathetic holding a babe Jesus in her hands, who displays no curiosity in his surroundings or joy or mischief. It was quite disquieting to see picture after picture like this with frozen expressions. Was the smile frowned upon so much? I can understand the looks of anguish in the scenes of the crucifixion, but even in the more joyous pictures of Madonna and Child, can one not introduce a motif of joy?

 

That’s what our million pictures must look like isn’t it? Frozen expressions  “capturing the moment”. If we are capturing frozen expressions, I don’t mind jumping on those galloping horses out into the gardens from the painting with a wild look of freedom and joy on my face any day.

So that brings me back to the basic question of what constitutes a good picture (una buona immagine). Does every picture need to tell a story? Why is Mona Lisa so famous, and not the beautiful pictures of these ladies?

 

Please recommend books on the art of appreciating Art.

Mermish Dreamish

“Ohhhwwwnn! What do you want us to get you from the labally?”, the son’s voice wafts upstairs to his teenage sister. She cannot make it to the library and her little brother feels bad for her, like she has been denied candy on Halloween. 

“Anything on Mermaids dobucles! From the Teen section.” 

The son and I exchange knowing smiles. 

“Okay!” 

I watch amusedly as the half teen swells with self importance: Oh! The glory of being given the esteemed task of picking out books for his teenaged sister from the teen section. 

“Mermaids! Really? Again? Still?” I ask, and I get a “Yessss!” accompanied by an eye roll, that I cannot see but can imagine, in response as we head off. 

keena_mermaid_doodle
A random doodle by the daughter when she was knee-high

The oceans and seas enthrall her, they exert an influence on her like no other. And it started young. Thousands of viewings of Finding Nemo, hundreds of The Little Mermaid later, her first choice for drawing anything is still marine. 

Keena_drawing

I can hardly blame her, I find the oceans fascinating myself.
Gerald Durrell’s Enchanted World Essay
Carl Sagan’s Essay on his interactions with Elvar The Dolphin
Epic of Whalayana – Carl Sagan

I have been seeped in books on Whales of late. Ever since I read Carl Sagan’s beautiful notes on these gigantic, intelligent and curious creatures, I have become half mermaid myself. I see the allure that sets the daughter’s heart beating. Regular readers know that I have often described that child as one who should have been born a mermaid.

Nick Pyenson : Spying on Whales:

Astronomy and Paleontology are sibling fields really: they take human imagination to places where no person has ever been.

Some writers have the knack of saying the most profound things in passing. 

It is true isn’t it? The reason we gaze longingly at the night skies, charting out the constellations, having myths that surround them is the same reason we have stories of oceanic splendor. The reason we listen in awe about Noah’s Ark, Mastya avatar, Kurma avatar and myths of a milk churning ocean coughing up ambrosia for things that seemed nigh impossible like immortality is the same reason we imagine The Great Big Hunter going after the seven sisters. It is magnificent and unimaginable.  

“This must be something to do with the Sea. It has the word Tempest on it and there is a mermaid like thingy on the front. “, said the little fellow handing me the book he had picked out for his sister. 

“Should we get one or two more just in case?” 

We agreed and off we went looking for mermaid like ones, oceanic tales. I fell back upon Twenty Thousand Leagues Under The Sea by Jules Verne in case all else failed. That was the choice that earned me a loving “MOM!” look.

We needn’t have worried, the little fellow was given glowing tributes for selecting the best mermaid book, and we all settled down to read that evening. 

Taking a deep breath we dived deep into the rich oceans. 

I was trying my best to keep up with Nick Pyenson and his colleagues as they tried to find and relocate some of the largest whale fossils on record. More than 2 million whales had been lost to Whaling in the beginning of the 20th century, and only about 200,000 remained. What have we done? Another silent lament in my mind that will not have an answer. 

The son had a thoughtful crease after reading his book, A Symphony of Whales by Steve Schuch. I could well imagine his feeling. It is one of those books that in ten flips of the page leaves you wondering and marveling at so many things – the climatic conditions because of the geography of the story, the sounds of nature surrounding the little village, and the sounds of the living in the churning waters calling out to little Glashka who is a little girl blessed with the ability of hearing different frequency voices like the song of the whales stranded in the bay and iced in. Accompanied by illustrations that take you to the little Arctic village, this book was the perfect marine choice for the little fellow.

 

 

Little yawns appeared on our faces and we smiled sleepily. When we resurfaced from the waters, feeling refreshed after a cool dip in the oceans, we slept dreaming the dreams of the unimaginable. It was marvelous.

The sea is as near as we come to another world. – Ann Stevenson

 

Blooming Time?

A version of this post was published in the Nature Writing magazine: When The Kurinji Blooms

In a small corner tucked away from the hectic panting of the world lives a small ecosystem,  nestled in a range of hills that is fast losing its unique beauty to ‘progress’. It is the place I was lucky enough to call home when I was growing up.

Jasminum_mesnyi.jpg
Primrose jasmines – Image by Wouter Hagens[Public domain], from Wikimedia Commons
The thought of flowering lupines takes me to Iceland; lotuses to a temple tank surrounded by trees with the breeze rippling the tank waters; primrose jasmines and Kurinji flowers back to the Nilgiris.

One of the marvels that is highly unique to the Nilgiris is the flowering of the Kurinji.

These flowers only bloom once in 12 years, and when they do, they are a joy to behold. I have only seen them once, and I remember thinking that for all this drama of blooming once in a dozen years, they should be, more grandiose, more robust, a trifle less ephemeral. But that is the thinking of an ignoramus, and I sensed the idiocy of the sentiment even then.

The flowers were beautiful, and the fact that there is a plant that knows the time to bloom when the rest of the world needs alarms and clocks to rise and shine is nothing short of marvelous. We need apps, calendars, schedulers, reminders and alarms to go about our daily business of living, and yet these unassuming flowers go about their act of procreation, maturing and enthralling the world without any such aids. What is more beautiful than that?

The kurinji flowers were in bloom last month, and I lived vicariously through a few friends of mine who live in the beautiful Nilgiris and posted the pictures. Entire hillsides clothed in royal robes of purple, swaying and billowing in rainy wind splattered skies, or waving and tossing their crowns to the blue skies with the scudding clouds.

 

 

 

 

 

 

The beauty of a functional model like a flower is a joy to behold. Imagine my joy then, when I opened the book, What Do You Care What Others Think – By Richard Feynman and the very opening of the book spoke straight to my kurinji-flower yearning heart.

I have a friend who’s an artist and has sometimes taken a view which I don’t agree with very well. He’ll hold up a flower and say “look how beautiful it is,” and I’ll agree. Then he says “I as an artist can see how beautiful this is but you as a scientist take this all apart and it becomes a dull thing,” and I think that he’s kind of nutty. First of all, the beauty that he sees is available to other people and to me too, I believe…

I can appreciate the beauty of a flower. At the same time, I see much more about the flower than he sees. I could imagine the cells in there, the complicated actions inside, which also have a beauty. I mean it’s not just beauty at this dimension, at one centimeter; there’s also beauty at smaller dimensions, the inner structure, also the processes. The fact that the colors in the flower evolved in order to attract insects to pollinate it is interesting; it means that insects can see the color. It adds a question: does this aesthetic sense also exist in the lower forms? Why is it aesthetic? All kinds of interesting questions which the science knowledge only adds to the excitement, the mystery and the awe of a flower. It only adds. I don’t understand how it subtracts.

Ode to a Flower – By Richard Feynman. This brain pickings article links to the beautiful animated video made by Fraser Davidson based on his ode to a flower.

 

I could not see the Kurinji flowers this time. I know many hillsides that were carpeted with these marvels have now become home to resorts and hotels. So, I wrote to the San Francisco Conservatory of Flowers requesting them to try and obtain a sample of this marvel: a tiny piece of magic tucked away for generations to behold. I hope they can.

To see a World in a Grain of Sand
And a Heaven in a Wild Flower
– William Blake