Category: The World

The Oldest Trick in the Book

Flittable Flipperbits

It was one of those days when I felt speed and productivity were playing a cruel joke on me. It bonked me from chore to meeting to event to missed messages, and by the end of it all, I had a vague sense of all the things that didn’t feel quite right because the important had been muddled in with the unending stream of the banal.

In all the melee of rushing about the day, I realized that I had missed an important piece of communication, which, had I picked up at the right time might have saved me about two hours of turmoil, but there you are. 

Later that night, I felt foggy. Nebulous clouds, misty and mysterious as they seemed, I knew I needed to sit and stew for a bit for them to take shape. But then, of course I was too stimulated to do that – flittable flipperbits!  I marveled yet again at the highly energetic, always-on-top-of-things folks we meet in our daily lives. They sparkle with busyness, and seem to be happy about it too. I felt that strange longing to be like them just for a day perhaps! 

By the end of the day, the world seemed to laugh at me, and I had no choice but to join in. So, I did. 

The husband gave me a curious look and said, “Well – you just did get a day like that, and you seemed to have managed pretty well – you were busier than you wanted to be – a day filled with things to do, and jobs to get done, buzzing about. You seem to have missed out on some important things, but you took care of them. And you seem to be laughing at the end of it, so what’s wrong?”

I gave the poor fellow a look that I usually reserved for poorly cooked cabbages, said he wouldn’t understand, and swished off to bed. I felt like a cooked cabbage myself, how was that any good? 

Dreamy Strawberries

It was all made clear to me the next morning when I awoke from what seemed to be one of the strangest dreams that even I have had in a while. It involved marriage halls with catchy music, social situations that I fervently hope and pray I shall never find myself in, and feeling like I was run over by a truck that had strawberries in them with flowing taps of chocolate (but not dark chocolate – for some reason, this seemed like an important thing for the brain to remember the next day) 

So I decided to meditate today – the diagnosis was clear: this was an over-wrought brain. Nothing else. I shall meditate and all shall be well. By the time things pick up in a few hours, I shall have the world in control again, I said, and sat down to it. The oldest trick in the book really, but the most effective.

How did we muddle it all up?

I thought of all my wonderful yoga and meditation teachers, and invoked their calming voices. They floated up, and did their job, and I spent the next few minutes thinking about a conversation I had with my friend – who is a poetic soul brimming with love, and we had chuckled about it. How the world of remuneration is all inverted. The ones who really should be the best compensated are the ones who teach us to spend time with ourselves, taking what is available and trying to help us shape ourselves into something far more beautiful – our teachers, coaches, mentors, yoga, art and meditation teachers – and yet, the world has somehow played a cruel joke by compensating those who make the very algorithms and enable the lifestyles requiring these things to dance to the bank, and not the other way around.

I thought, I’d share this video though – for it says a lot of what I’d like to say – only a lot more cogently:

Rory Sutherland – Are We Now Too Impatient to Be Intelligent? | Nudgestock 2024

“Let’s let go of all stray thoughts – acknowledge them, but tell them, you’ll come to it.” said my meditation teacher’s voice in my brain – forgiving yet insistent, and I chuckled. How did she know where I had gone off to – even when I was only bringing her up as a figment of my imagination?

Meditation done, I felt like I could begin the dance of a new day with fresh energy, and rather looked forward to seeing how I would muddle it all up again. Somehow, that felt right.

Inspirations for Writing

Talented Inspirations

I recently read The Firework Maker’s Daughter by Philip Pullman

I’ve always wondered about the series of books that are titled thus: Galileo’s Daughter, The Clockmaker’s Daughter. The appeal of the daughters of men with interesting careers is an interesting premise. For so many years, women were denied the opportunity to consider interesting careers.

Like Elinor Dashwood (of Sense & Sensibility fame) says of women and careers:

“You talk of feeling idle and useless. Imagine how that is compounded when one has no hope and no choice of any occupation whatsoever”.

  • Jane Austen, Sense & Sensibility

If ever I am grateful for anything, it is that women’s talents are now nurtured and recognized. After all, talent does not distinguish between the crude lines drawn out by humanity – it does not care about race, caste, creed, sex, religion.

Fascinated as I was by the book, The Firework Maker’s Daughter,  I loved the colorful cast of characters, and  what is required from them to succeed in their profession. It also got me interested in the writing style of Philip Pullman – his was witty, whimsical, and oh-so-light.

Pullman on Writing (Source: Wikipedia)

“I have stolen ideas from every book I’ve ever read. My principle for researching a novel is ‘Read like a butterfly, write like a bee,’ and if this story contains any honey, it is because of the quality of the nectar I have found in the work of better writers.” 

  • Philip Pullman

A better imagery for writing I could not think of. If one thinks about it, life itself presents all the inspirations we want. Even when is in the midst of the Thanksgiving week-end, and may be busier with spending time with family, friends, trips etc, the inspirations are all around us. 

If you are looking for that November spark, look at sparkling fireworks of Diwali, the colorful trees of the fall foliage around us, the many friends and family one meets during November’s Diwali & Thanksgiving  seasons to gain your sense of well-being, gratitude and inspirations!

Manathakkali Keerai

Poetic Greens

Manathakkali Keerai has a beautiful name in English – they are called Sun Berry or Wonder Berry or Black Night Shade greens.

What poetic names for such an unassuming plant?

It was a variety of greens that both my mother and father-in-law seemed to adore, and I was slightly taken aback to see the way they were thriving in our little vegetable patch to be honest. It was nice enough to pick the little black berries and pop them in, but the greens? I had no idea what to do with them. The mother donned her expression of helping the local village fool and said, “Make keerai out of it!” and so there we were – harvesting. 

Do we take the stems? 

Just the leaves? 

Cook the green berries or just the blackened ones?

Cut them or strangle them from their stems?

The husband, clearly out of his depth, had taken to advising me on harvesting techniques.

“Dude! We’re both doing this for the first time ever as far as I am aware. And you know even less about this than I seem to know, so why exactly are you giving me directions?” I said, frowning. 

“Yes! But do you really mean to say that women don’t like being told what to do?” he said. At least he looked abashed.

I laughed at that and we both went ahead with butchering the plants we were supposed to be harvesting.

Cooking the Greens

We managed to get a few leaves for the dish, and I made them. “So, what do you think? These are extremely healthy!” I said pointing to the cooked greens – I had to admit that they looked a little disappointing. 

The children both winced.

“Hmm…They look healthy.” 

“See? Already looking green!” I said and they both glared at me a little. “Remember those mouth ulcers you were telling me about? Well – these are supposed to be the very best cure for that.” I said. 

“Yes mother – thank you! But I had the mouth ulcers months ago!” the son said.

“Well – it takes a while to grow, doesn’t it?” I said weakly and encouraged them to eat up like good children. 

After they took their first mouthfuls, it was priceless. The daughter said, “Hmm…it’s a bit bitter, but does it have to be so stringy?!”

I gave an uneasy laugh. Were they stringy? They looked, well, green.

The son had a dubious look, and prodded it a bit, he put some in, and then gagged. Spectacularly. And went running to the sink. 

I could have tried the strict got-to-eat-up routine, but it is difficult when the dish looked that questionable. So, I tasted it too, and oh lord! What kelpie crying in the kitchen could eat that?! It was … well…as the children kindly put it, “Not exactly disgusting, but close!”

Maybe I hadn’t made it quite right. Oh well. 

November’s Purpose

The world seemed to be buzzing with purpose, and I set out thinking about lofty human ‘angsty-things’ as the children called it too. What was our purpose – is there such a thing? Did ducks, hawks, deer, dogs pander after silly existential questions? We would never know!

It was a beautiful November day – one of those days that poets and artists can spend all their lives dreaming about. It truly was a delight to step out into the sparkling cold air, raise your head to take in the glorious panorama of the skies above through the glorious reds and yellows of the maple, beech, sycamore and willow trees.

As long as autumn lasts, I shall not have hands, canvas and colours enough to paint the beautiful things I see

– Vincent Van Gogh

The yellow leaves were looking golden in the sun’s rays, and the reds were nothing short of royal. We took a dozen pictures but knew there was nothing to be done but to sit and soak into the world around us. So we did.

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I set about closing my eyes to try and capture the day in my memory under a particularly fetching set of trees – it was after some time that I found myself called back by a bird. It wasn’t the shrill call of the california blue jay or the titter of the wrens, or the frenzied call of hummingbirds. Curious, I opened my eyes to see which bird it was. Imagine my surprise when I saw it was a woodpecker. It swooped low by me and flew to an adjacent clump of trees, and I followed as silently as I could. Though I realize that for birds and animals I must sound like a stampeding rhino. 

There – up above the smooth branches of some beech trees were a whole family of woodpeckers. They weren’t hammering their heads as they were known to do. The baby woodpecker’s downy feathers were still growing, and the sight made my heart still – more effective than any form of meditation I have ever attempted. 

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It was like an invitation to witness the simple pleasures of nature on a glorious day. I don’t know how long I stood watching the woodpeckers, but the head’s questions of purpose and meaning seemed rather meaningless just then, for the simple beauty of being alive on a beautiful day like this and being able to bear witness to the passing seasons with a heart full of gratitude felt like purpose enough.

Peeking out after the rains

Novembers in the Bay Area are beautiful. It is the time when the world around us turns colorful – assures us that the seasons are turning. The fall colors, never as resplendent as in the East Coast, are inviting, and the son & I spent more minutes walking gleefully into crunchy leaves in the past few days than was necessary. We also gazed upwards into maple trees – the greens, yellows, reds and maroons like a beautiful artist’s palette in the world around us. 

Regardless of how we started out, we’d come back smiling widely and happy to be out in the world. The days drawing in closer also means that we had to really try to catch all of this in a narrow window before the skies draw the screens on them. That sense of urgency adds to the thrill. 

“She had always loved that time of year. The November evenings had a sweet taste of expectation, peace and silence.

And she loved most of all the quiet of her house when the rain fell softly outside.”

– Louisa May Alcott’s, Little Women.

The squirrels, deer, water rats – they all seem to be more at ease with the time-change than we are. Probably because they don’t peer at the clocks before heading out for a walk. They rise with the sun, and rest with the dark. There is a profound kind of philosophical simplicity there.

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Yesterday was Veteran’s Day and a holiday for schools. So, we decided to make a song-and-dance of it, and headed out for a walk after lunch. The rains had lashed down all morning – the first rains in November in the Bay Area always make me feel warm and special. By afternoon, the clouds were scuttling away, leaving a delicious moist, clean Earth behind. We walked around a lakeside – watching the pelicans, sanderlings, geese and ducks catch the sunshine after the rains too. 

There is a strange solidarity amongst creatures in that simple act. Peeking out after the rains.

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Multi-Generational Family Sagas

Multi-Generational Family Sagas

I read two family sagas this year spanning multiple generations, and several decades each. 

Both were highly acclaimed books, and written well. However, both of them suffered from meandering plots, and unnecessary diversions. Making them swollen at least by a few hundred pages. 

“It was a bit like listening to my father tell a story about some character in his village. He’d tell me all about this character, his relatives, his relative’s friends, and the marriages that made the whole thing impossible to untangle, and so much more. By the time he finished the story, you’d be wondering what the point of it was.” I said to my friends after finishing The Covenant of Water. 

I understand too how that can be a daunting task. The mother had seven siblings, the father nine. Their parents, I am not even sure, for I might have switched off in between.

The Covenant of Water – By Abraham Verghese

The writing is beautiful – lyrical, and his characters have endearing qualities to them – resilience, love, grace, flaws. Abraham Verghese is also a doctor by profession, and therefore the details of all the medical terms made for a depth even if the average reader does not need as much information (ex: how a particular surgery was being performed, or how the stent would have served better from a particular perspective) 

Set in Kerala, South India, the book spans the family of Big Ammachi (the matriarch of the family) between  1900 and 1977.

covenant_of_water

It would also have been nice to know a little bit more about the living conditions and life in that time period. For instance, there is a character, Uplift Master, who derives his purpose from getting the village around Perambil (the ancestral village in which the whole saga takes place) developed and to march into the twentieth century in style. Knowing the problems Uplift Master faced in terms of discrimination by the British Raj, or bribery would have been useful. 

Casteism is touched upon, the perils of life as a leper is well depicted. 

The plot itself could have been condensed. That apart, it is a good book.

Pachinko: Min Jin Lee

Pachinko is set in a similar time period in Japan(1910-1989). It outlines the generational problems existing between Koreans and Japanese. 

The story also spans multiple generations and revolves around the life of Sunja – a poor Korean who moves to the city with her husband, Baek Isak, and child from a previous tormented relationship.

pachinko

Reading about the effects of racism, poverty and war is never easy. Writing about them keeping the humanity of the characters intact is even harder. Min Jin Lee manages to do that with ease. It would have been nice to see how things were changing as the century progressed, but we do not see too much of it. 

The Tides of Humanity

The tides of humanity are apparent even if there are literally oceans separating the stories.

  • The Covenant of Water is set in Kerala, South India(1900-1977).
  • Pachinko is set in Japan(1910-1989)

They both deal with matriarchal characters (Big Ammachi alias Mariamma & Sunja) who do their very best by their kith and kin in difficult times. Providing love, trust, and hard work as tenets to a good life.

I think this line from Noa (Sunja’s firstborn) in Pachinko,  outlines the angst of humanity pretty well: 

Noa didn’t care about being Korean with anyone. He wanted to be, to be just himself, whatever that meant; he wanted to forget himself sometimes. She could not see his humanity, and Noa realized that this was what he wanted most of all; to be seen as human.

– Min Jin Lee, Pachinko

There is plenty to be learnt in life as a human, wherever one lives.

In the Covenant of Water, Philipose (Big Ammachi’s son) says it best:

“Ammachi, when I come to the end of a book and I look up, just four days have passed. But in that time I’ve lived through three generations and learned more about the world and about myself than I do during a year in school. Ahab, Queequeg, Ophelia, and other characters die on the page so that we might live better lives.”

― Abraham Verghese, The Covenant of Water

Exploring Deepavali Through The Firework Maker’s Daughter

I glanced around me – it was Deepavali, and all of us children, parents, and grandparents at the  party, looked delighted. Who wouldn’t be? Many of us were clutching sparklers, and watching the tiny stars produced by them in awe. The beautiful fountain pot spouted its joy towards the world a few feet away, and the oohs-and-aaahs were enough to melt hearts. Deepavali fireworks, especially in the US, are not exactly spectacular, but it is joyful all the same. 

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Watching fireworks has always been magical. The little sparks ignite something else altogether in our spirits.  Watching everyone around me, I could well imagine the children of ancient China watching in wonder as the first gunpowder produced magical effects. Or the hobbits as they all watched Gandalf’s spectacular fireworks in Hobbiton. Every time we go to DisneyLand, waiting for the fireworks in the cold, with thousands of people, it is magical. 

I was so glad to have an equally delightful book  to read that week-end, The Firework Maker’s Daughter – By Philip Pullman.

The Firework Maker’s Daughter – By Philip Pullman

A delightful tale of adventure, replete with a plucky heroine (Lila), a hero (Chulak) with gumption, and a talking elephant (Hamlet, who is in love with the elephant at the zoo, named Frangipani). 

In the Firework Maker’s Daughter, the firework maker, Lalchand’s daughter, Lila, wants more than anything to become a fireworks maker. At a young age, Lila invented Tumbling Demons & Shimmering Coins.

“My father won’t tell me the final secret of fireworks-making, “ said Lila. “I’ve learned all there is to know about flyaway powder and thunder grains, and scorpion oil and spark repellant, and glimmer juice and salts-of-shadow, but there’s something else I need to know, and he won’t tell me.” 

firework_makers_daughter

But of course, the poor girl is not allowed to become a firework maker, for her father intends to get her married off. So, with the help of the white, talking elephant, Hamlet and his keeper, Chulak, she takes off to find the secrets of firework making all the same.

It is a whimsical book, and the descriptions of the fireworks in the end makes for a marvelous read.

If only the joys of learning to do these things (like making fireworks), were still available to us, instead of being locked behind factory doors, how wonderful it would be.  As I remembered all the different types of fireworks – the ones that burst into a thousand patterns in the sky, the ones that take their time like a rocket lift-off, the spinning chakras, the little pops of bursting noises, the ‘Lakshmi bombs’ ( the loud bombs), and the serial-wallahs,(the strings of explosive that went off for minutes at a time) – the imagination took off with the fireworks too.  How could it not? How inventive these firework makers must be.

I sat down willing to write about the marvelous joys of fireworks, but came up wanting. How can you capture the soaring of the heart in words? How can show  feel a definite lifting of the spirits when only you can feel it?

Numinous Navarathris

Navarathri

The Navarathri season is behind us. That is to say, the garba dances, the spontaneous bursting into carnatic music, classical dancers getting their Vijayadashami classes, the crowded shamiyana’s with pujo crowds, the golu hoppers, and the first wave of festive wear for the fall season is all behind us. The statues that got to come out and get put on display are all wrapped up, and put away in their cozy confines for another year.

There are many golu aspirants who raise the bar every time. One particular household we enjoy has a side-show gleaming with inventive playfulness. In every golu display there are stories jostling on the orderly steps waiting to be told, but skipped over – possibly waiting for the next year. For there is too much going on for dolls and their stories to be told and listened to. I can imagine and appreciate the whimsical nature of life wanting to be preserved as tradition. Then again, for a country such as India, there is rarely the time for slow pursuits such as mythical story telling sessions over long evenings these days. What was earmarked for that, has morphed into rushed sessions, oodles of food, music and dance bursting at every corner, and like life itself the dolls with the good stories sit quietly – watching, waiting their turn. Ready to amuse, educate and entertain if asked, but purely on stand-by.

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The Golu Tradition

Golu – as the tradition of the display of dolls is known, is rumored to have started in the 14th Century during the height of the Vijayanagara empire. The royal families of the era particularly around the Thanjavur region were taken in by the opportunity to display their dolls, host gatherings, etc. Slowly, they had musicians and dancers from the local temples over for performances, and it became a time when children were initiated into the Arts. Vijayadashami  became a day of artistic beginnings and blessings. 

In many of the homes we visit, we hear stories of the dolls being passed down from generation to generation. One friend told me that her vegetable set came from her great grandmother – handed down to her grandmother, who brought it to the US in the 60’s, and then passed it to her mother and how she plans to give it to her own daughter one day. I peered at the misshapen vegetables and felt a stirring for why the tradition appeals to so many. There were no perfectly preserved, larger models there. The vegetables had warped surfaces much like the farmers of the time might have produced them, and an artist had rendered them with the best clays and paints available to them. The greens were greener than the vegetables could achieve, and the reds made them look like they were blushing. Very fetching.

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Why tradition settled on 9 days for Navarathri, I am not sure. But I presume it had something to do with the agricultural cycles of the time. A lull in the work periods between harvest and planting cycles when the plants were at their strongest, and therefore a time for a bit of fun.

What I Wish It Could Be

As a child, I longed to take the golu dolls down from their shelves to play with. But of course, we weren’t allowed to do so. My own grandmother had given them to my mother. It seemed so pointless to have this many dolls all sitting there, waiting to be played with, but out of reach. This many stories waiting to be enacted. We were only ever to touch them the day they were taken out, or the day they were wrapped back in old newspaper and stowed away. A touch of pathos about the way they’d have to nestle back into the wooden crates in the old garden shed about them.

It has been a dear wish of mine to one day make a puppet based theatrical show of this. You know – properly make the dolls come alive, hop off their little shelves, and have them enact their stories. Vishnu’s avatars don’t need another year of standing there – they need to be out there telling you how much one ought to be doing in the face of evil vying and holding power. So what if you have to impersonate half a lion or a fish or turtle for noble purposes? That would be an apt election-time story wouldn’t it?

Make a funny skit or two about how the demon Ghatodgajjan ate his way through the season, or the din to wake Ravana’s brother, Kumbhakarna from his 6-month slumber to fight the war in the Ramayana. Enact the wars with paper mache swords, and bubblegum shaped missiles that could be eaten afterward. That would be cool.

A silly song about the cricket playing Ganesha statues maybe?

Wrap the session with all the Lakshmis being totally brave, daring, intelligent and charming. That would be brilliant.

Exploring Happiness: Is It in Our Genes?

In what was an intriguing chat with the son last evening, we poked around the ethics of genetic modification. Apparently, that had been an area of discussion in their classroom, and the son was keen – the novelty of a discussion with multiple viewpoints at that age is amazing. I smiled and listened to him talk offering a question here, a hum there, an insight elsewhere.

“What do you want to do with human-beings if we are smarter?” I asked him.

“We could fly.”

“Cool! But then what?”

I took a deep breath and said as casually as I could. “Everyone wants to be smarter, for things to come more easily to them. So we wouldn’t have to spend so much time figuring things out. But – the thing is, if everything came easily, we would not know what to do with all the time we have on our hands. What do they say? An empty mind is a devil’s workshop? I don’t know – I think it could lead to more mental health issues – what do you think?”

He pondered this for a while, and said it was an intriguing thought. 

Who Survives?

It reminded me of another chat the husband and I had a few months ago – on the larger theme of the future of humanity. With smarter, faster, stronger, what would happen to humans? The husband took a moment to gather his thoughts, and said, “Well – it will come back to good old basics then, wouldn’t it? Survival of the fittest. Those humans who can learn to be peaceful with themselves will ultimately win out – that is the strain that will survive.”

I was impressed – yes, no matter what we had, it ultimately came down to temperament, attitude, and the ability to be happy, didn’t it?

Generosity by Richard Powers: The Happiness Gene

Incidentally the book I am currently reading: Generosity by Richard Powers, talks about a variation of this: The Happiness Gene.

The story tries to figure out the reason for Thassa’s happiness. Thassadit Amswar is a refugee who has fled the Algiers region. Her brother is still under house arrest in a totalitarian regime, her parents are dead after years in which they were stuck in the midst of a civil war that raged around them, and any which way you look at it, she should be morose, sad – not chirpy, cheerful, and full of light.

The whole set up reminded me of one of Rumi’s sayings that have been making its way around the instagram world: something to the effect of:

When the world around you is dark, you could very well be the light.

Rumi

In any case, somehow Thassa’s ability to be happy attracts attention – first from local friends, then a policeman, a local news report diagnoses her as having ‘Hyperthymia’ – a condition of overwhelming happiness, and goes on to attract those who want to auction and buy her eggs, decode her DNA, figure out the happiness gene. She finds herself unmoored by how people feel bad because she is happy, and having to navigate the horrors of fame.

In Essence

  • Is there a genetic component to being happy?
  • If so, can that be picked and chosen for our offspring in the not-so-distant future?
  • What issues would that create for mankind? For just as sure as we are of creating solutions, so too can we be sure for creating problems for ourselves, isn’t it?

Stories Meant for the King

The husband was narrating life in his humble abode as a child to the children. “My ‘room’ ” he said, picking the quotes like the children do, “was under the steel cot. I was the Hero there. If my brother decided to join – then We Were Heroes There, or We Were Devils There. But it was all good fun.’ 

The children guffawed with laughter. This narrative was a familiar one, and I smiled. I remembered those steel cots. Appalling things they were – with steel rods painted dark green with apparently no aesthetic appeal. They were sturdy – I’d grant you that. They were the mainstay in almost every middle class home in India in the 80’s. As children, we had stress tested them by leaping on to them from cliffs on high cupboards, using them as rafts from oceans of swirling creatures below etc, and they did not break. Steel, you know? 

How we carve out space for ourselves when there isn’t any can be a problem. But children seem to find solutions to this problem in the most creative manners possible. 

The husband’s abode growing up was a small house – children did not have separate rooms. “Just the reality!” he shrugged when the children looked at him surprised. 

“Under the bed is a spacious place for a small boy, you know?” he said.

The daughter and son exchanged glances.

The daughter said, “We love having our room!”

“Decorated just the way we want too!” said the son.

“Our room under the bed was too – we had cobwebs in the east-facing courtyards, and well, lizards on the south-facing side. Beat that!” said the husband to his awed audience. 

Raja Kadhais : Stories meant for the King

The husband was reminiscing about his ‘room’ under the steel cot, “In there we listened to all sorts of ‘Tea’ (teenage slang for hot-off-the-stove spicy news). Things we should not be listening to. Things that we should, we ignored of course. Your grandmother was particularly adept at noticing when one ear would dance for the juicy tales. I tell you, she could see the ears squirm, and she would send us out to play  – “This isn’t for you – Raja Kadhai. (Meaning stories meant for the King )” she’d say. Well, she didn’t receive the memo about my kingdom under the bed I suppose! Anyway, those Raja Kadhais were the best!” said the husband grinning from ear to ear. 

I always like the way the daughter finds her space wherever we travel. In the cramped space of a car, she’d make her ‘room’. In a shared hotel room, she’d put up a sheet like a tent and make her ‘castle’. Her ‘room’ is not always a room, but she manages to make it so. Her space.

When AirPods Snuffed out Stories Meant for the King

That day, though, I was annoyed at her for not listening in. Here we were discussing things that would’ve been amazing for her to know, and she had plugged her ears in with noise-canceling headphones, pulled a blanket in the back-seat and gone on to tune us all out. Raja Kadhais, Tea – nothing. 

“Is this how life is going to be with these blasted devices? In one room, yet so far away?”I ranted to the husband later.  

“Leave her be! She is a teenager, and teenagers require space.” he said, taking his daughter’s side (as usual).

I rolled my eyes at this. “Isn’t receiving this kind of input critical while growing up. How many stories we’d heard in this manner? Not explicitly told to us, but enough to give us an idea of the world around us.” 

“They’ll find ways to get it – social media?”

“Instead of stories from adults in hushed tones?” 

Imagine my surprise then when I saw these Japanese headphones that promised to pop the bubble of silence : Popping the bubble of noise canceling headphones. These headphones are supposed to let background noise in, so we can still receive sensory information.

I admit, I rolled my eyes like a teenager at this. Really – all this progress. I wonder when we reach a point of diminishing returns and have to return to the tried and tested good old fashioned ways. You know? Go back to fiddling the knob on the rusty old radio with one channel to tune into.

https://www.newyorker.com/culture/infinite-scroll/popping-the-bubble-of-noise-cancelling-headphones

Which of the current technology trends do you think will bear the test of time? I thought noise-canceling headphones were the thing – but apparently not.