The Magic of Malgudi

Maybe it was the fact that we visited the home of R K Narayan after the opulence of the Mysore Palace, or the fact that while all of rural Karnataka seemed to have decided on Mysore Palace, nobody had thought of R K Narayan’s abode, but the author’s bungalow on a quiet residential street was like a little cocoon of quiet and peace. A lovely setting in which to imagine the most magical tales of small-town Malgudi.

It isn’t a humble abode – it is a beautiful house set in an upper middle class neighborhood. White and two-storeyed, it is a lovely home and while inside, I couldn’t help remembering his own notes on how he had acquired the piece of land on which it was built. 

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Book: The Grandmother’s Tale – By R K Narayan.

Far away from the town center as it was then, the realtor had promised him that it would be the bustling center of town one day. He left his noisy abode in Vinayak Street, and moved to this one – with the railway tracks to one side, the lilting hills and the then empty lands stretching between the home and the Mysore Palace.

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With his characteristic wit, he wrote of his gardener, Annamalai, who helped maintain the land around his house. Annamalai, like most men of the soil, intuitively knew how to clean and maintain lands.

I stooped to look at the plants for a brief moment before entering the home and remembered Annamalai’s classification: “This is a poon-chedi” (flowering plant) and chuckled to myself. 

“If he liked a plant, he called it poon-chedi and allowed it to flourish. The ones he did not like, he called “poondu” (weed), and threw over the fence.”

  • R K Narayan –  The Grandmother’s Tale (Story: Annamalai)

Annamalai was no horticulturist but seems to have taken care of the great man’s lands well enough.

Inside the house, it was largely quiet and the lady who stood at the entrance was happy enough to receive us. She was diminutive, and oddly neither welcoming nor dismissive. She surveyed us as if mildly annoyed with herself for being interested in us. She sometimes followed us as we entered the household and read the quotes off the walls. When it was obvious that we were in awe, and really happy to be in the place where R K Narayan wrote his gentle tales of Malgudi, she turned into a hesitant hostess and urged us to explore the rest of the house too. “Go upstairs and see the bedrooms. That’s where he slept.” she said, and I had to resist chuckling. 

I wondered what the master literary giant would have to say about her. It would be an insightful description no doubt and one tinged with the gentility and charm that he saw humanity with. That much was certain. 

The thing is: going to this quiet house tucked away in a residential locality in Mysore was comforting, and I thanked the brother profusely for showing me this gentle giant’s house. 

“Do you realise how few ever really understand how fortunate they are in their circumstances?”

– R K Narayan

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Rasipuram Krishnaswami Iyer Narayanaswami, the author and Rasipuram Krishnaswami Iyer Laxman, the cartoonist together enthralled the world with the spontaneity, humor and joy of Indian life. 

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Also read: 

Mysore Palace

In what was a whirlwind trip to India, I was fortunate to fit in a day to visit Mysore, or Mysuru as it is now known. The Mysore Palace was bursting at its seams. I don’t know whether the Wadiyar family was that popular even at the peak of its glory, but that Sunday morning, we had the distinct feeling that the entire populace around Mysuru had woken up with the singular thought of having a nice picnic day out at the palace. Crowds bustled, feet shifted, and more importantly, the sun rose in the skies above Mysuru. 

Image source: Wikimedia Commons: Photographer: (Muhammad Mahdi Karim/www.micro2macro.net)

We shuffled our way through the palace taking in the art work and the opulence. Every palace designer and acquirer of artifacts has this to contend with: in opulence lies plenty, and in plenty, even the rare loses its lustre. How often have we been to art galleries and been too awed by the hundreds or thousands of art pieces, to notice the subtlety that would otherwise be studied with awe?

For instance, I am quite sure that if I’d seen any one of those doors by itself, I’d have been bowled over. After all, how often does one see ivory inlays in teak doors, and entire pictures carved out in the ivory?

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How often do we see the portraits of South Indian royal princesses from 100 years ago? But when one passes through 50 stately doors, and 500 paintings, surrounded by 5000 people, it suddenly becomes overwhelming. 

Even so, we couldn’t help admiring the artwork, the beautiful portraits, the marvelous turquoise green and blue themes, and the beautiful cultural themes of South India. 

I remember visiting Mysore Palace as a young girl – maybe around the age the daughter is now, and while I remember the night lights at the palace with awe, the rest of it seems to have mushed in with plenty of other palaces – I may have confused the Buckingham Palace,the Jaipur Ajmer Fort Palace, and Fatepur Sikri in one grand ballroom in the head.  

The Mysore Royal Family

Like every royal family across the globe, the Mysore Royal Family also has seen its share of news mongers, myth propellers and the like. Apparently, the Mysore Royal Family was cursed so that naturally born heirs could not beget their own heirs and would have to be adopted. They were also rumoured to be the descendants of Lord Krishna. If that is not pressure, I don’t know what is.

It must be exhausting to live in the public eye for generations. 

Royalty is completely different than celebrity. Royalty has a magic all its own.

Philip Treacy

As we bustled out of the palace, I found myself grateful for our quiet, ordinary  lives, but also appreciative of the art that the rich had a taste for. Thank goodness for patrons of art over the years. 

Imagine what our lives would be without Art?